The Go- Between: how the BBC re- made a classic The past is a foreign country: you know the rest. The Go- Between rejoices in one of the most oft- quoted opening sentences in English fiction. But how well do we all know the rest of LP Hartley’s novel? The Go-Between subtitles. This Year's Grand Prize Winner at the Cannes Film Festival. Tale of torrid and forbidden love between Christie and. The Go-Between is een Britse dramafilm uit 1971 onder regie van Joseph Losey. Het scenario is gebaseerd op de gelijknamige roman uit 1953 van de Britse auteur L.P. If the story of an innocent boy carrying ardent messages between a rich young beauty and a rugged farmer does still shimmer in the memory it is partly thanks to the 1. Bafta- winning film starring Julie Christie and Alan Bates. Could a new adaptation possibly compete with Harold Pinter’s razor- sharp script and Michel Legrand’s unsettling score, with Christie, radiant in white as Marian Maudsley, and Bates as Ted Burgess, the horny- handed tenant farmer who is her clandestine lover? On a warm day in Berkshire, where the BBC drama is being filmed, Lesley Manville tells me she made the mistake of telling the ex- head of the National Theatre, Nicholas Hytner, that she was about to play Mrs Maudsley, the socially ambitious matriarch desperate to marry her daughter off to the rich but disfigured Lord Trimingham. I thought, right I’m going to watch the film now. Which I probably shouldn’t have done.” Meanwhile, was it chance or fate that Joanna Vanderham, who inherits from Christie the part of the luminous Marian, happened to have just read the novel? But even he cannot escape the past. During filming, he began his first term at Harrow School, where Hartley was once head boy. That much is clear from the first scene. The elderly Leo, summoned back to the fateful scene of his childhood by the discovery of his old diary, finds himself sharing his railway compartment with his younger self. Director Pete Travis chose it to be Brandon Hall, Trimingham’s grand house in Norfolk, because “it has a beautiful elegance that can look, later on in the story, quite oppressive and lonely”. The first is shot with a roving hand- held camera as Hollington and Vanderham play- fight on the lawn. 42 The Go-Between subtitles in 11 languages English (17) Turkish (5). Rate The Go Between The Go Between 1971 dvdrip-NiX Sub as bad SubsMax.com. The Go-Between (1971) Rated PG. The Go-Between (1971) Based on the acclaimed semi-autobiographical novel by L.P. Hartley, The Go-Between (1970) is a coming-of-age tale with a devastating lesson. Norfolk Summer: Making The Go-Between. Cambridge: John Adamson. ISBN 978-1-898565-07-9; Zobacz te. The Go-Between (1971) cast and crew credits, including actors, actresses, directors, writers and more. The second is shot in a tight close- up. Manville in voluminous purple is quietly chilling: Hollington could be forgiven for not having to feign terror. In every take – as Leo tries to protect himself and his idol Marian – a compelling, unconfected truth blooms in a face that already exudes vulnerability. He hasn’t got a whiff of stage school about him.” Leo can be read as an embodiment of LP Hartley himself. Born in 1. 89. 5, he endured a narrow provincial upbringing before flowering at Harrow and Balliol College, Oxford. He enlisted in 1. The literary career that earned him a CBE only fully blossomed in the mid- Forties with the Eustace and Hilda trilogy. Together with The Go- Between, the novels fretted over loss of childhood innocence and some unnamed, possibly sexual trauma which dogged Hartley into a crotchety, alcoholic old age. He referred to the working class as the WC, and called for criminals to be branded with letters befitting the crime: “F for forger, V for violent criminal etc,” he fumed. Where Losey used a peeping long lens and melodramatic zooms to convey Leo as a kind of spy, Travis has taken his stylistic cue from the opening line. That’s the reason for the hand- held camera style, which, if done properly, is really beautiful and wonderfully sensual.” This may seem a heresy, but I felt the BBC’s lovers were more faithful to the novel than Losey’s star leads. As Ted, Ben Batt is a much more imposing lump of tongue- tied gristle than Bates. Where Christie was into her 3. Vanderham is much closer to Marian’s age (and, of course, to Leo’s). And there is a less sneering take on the rigidity of the class structure. I don’t see the point in not seeing the characters’ humanity.” The Go- Between is on BBC One at 9pm tonight. The Go- Between (1. Articles. The Go- Between (1. Based on the acclaimed semi- autobiographical novel by L. P. Hartley, The Go- Between (1. It takes place over a few summer weeks in a grand country manor at the turn of the century and focuses on the experiences of a twelve- year- old boy from a respectable but poor family; he becomes entangled in a secret romance played out under the cover of the mores and manners and hypocrisies of an aristocratic family that reverberates over the course of decades. Dominic Guard made his feature debut as Leo, a sensitive and sincere boy who is not part of this family's world, but merely a tourist in a culture where social standing defines every relationship. Leo is tolerated and at times even doted upon, like a favored pet, perhaps, and he's smitten by Marian, the beautiful older sister who smiles favorably upon him. When he meets Ted Burgess, a nearby tenant farmer, he's drafted into becoming the secret . It's a mere game for the boy, who is thrilled to be part of this grown- up secret, but a dangerous affair for Marian, who is to be engaged to a genuine aristocrat. Leo isn't judgmental but his innocence and his uncomplicated sense of right and wrong and loyalty tear at his fragile emotional make- up when he becomes aware of what's really going. Director Joseph Losey wanted to cast unknowns in the lead roles but financing was contingent on stars. The part of Marian, an eighteen- year- old girl, was rewritten for a decidedly more mature Julie Christie, who had time in her schedule for one project before heading back to the U. S. Though the lovely Christie was considered the poster girl for modern youth and the swinging London culture thanks to her roles in Billy Liar . Alan Bates, her co- star from Far from the Madding Crowd, was cast as the tenant farmer Ted Burgess and Edward Fox (who went on to star in Losey's screen version of A Doll's House . Deborah Kerr was originally offered the part of the manor matriarch, Mrs. Maudsley, but turned it down because she felt the role only had a single good scene, toward the end of the film. Margaret Leighton accepted the role and makes the most of the scene by creating a character whose turbulent emotions are kept in check until the eruption at the film's climax. The Go- Between was shot almost entirely on location in Norfolk, where Losey rented an abandoned manor and had it made over top to bottom for the film. The rest of the locations were found nearby. And we all lived in the house. They wore the costumes all the time and ate as well as acted in their costumes.. Years earlier Pinter had started a first draft of it before a rights dispute tied up the project. After the issue was cleared up, Pinter scrapped his first treatment and began from scratch with a whole new approach. In some ways it was an extension of Pinter's second collaboration with Losey, Accident . Hartley's novel tells the story as an extended flashback, the old man remembering that summer fifty years ago. Pinter creates a more complex relationship between past and present, encouraged by Losey. The Go- Between made its premiere at the 1. Cannes Film Festival where it won the Palm D'Or, the highest honor that the festival can bestow and the most prized award in the world of film festivals. Back in Britain, it was nominated for twelve BAFTAs (the British Academy Awards) and took home four, for Pinter's screenplay, Best Supporting Actor (Edward Fox) and Actress (Margaret Leighton) and Most Promising Newcomer to Leading Film Roles (Dominic Guard). Losey and Pinter never collaborated on another film, yet they remained friends and the film appeared to have a lasting effect on Pinter, whose subsequent plays and scripts show a great interest in memory and fractured timelines. Producers: John Heyman, Norman Priggen; Denis Johnson (uncredited)Director: Joseph Losey. Screenplay: Harold Pinter; L. P. Maudsley), Michael Redgrave (Leo Colston), Dominic Guard ('Leo' Colston), Michael Gough (Mr. Maudsley), Edward Fox (Hugh Trimingham), Richard Gibson (Marcus Maudsley), Simon Hume- Kendall (Denys), Roger Lloyd Pack (Charles), Amaryllis Garnet (Kate).
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